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Posted April 01, 2026in Film Review

‘Hoppers’ is a return to Pixar’s more playful side

With the likes of “GOAT,” “Zootopia 2” and the ongoing “Into the Spider-Verse” franchise, kids are eating good when it comes to feature-length animation. And “Hoppers” is no different, giving the kind of movie you enjoy from the first frame to the final credit. It reaches deep into Pixar’s established

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Posted March 04, 2026in Film Review

‘Good Luck, Have Fun, Don’t Die’

When was the last time a studio movie made you genuinely uncomfortable? Not in a jump-scare or gore-centric way, but in a “wait, did they just go there?” way that lingers in your brain for days? Gore Verbinski’s “Good Luck, Have Fun, Don’t Die” poses that question repeatedly, and the

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Posted February 04, 2026in Film Review

‘The Rip’ runs on greed, paranoia and misdirection

In the shadowy glow of Joe Carnahan’s “The Rip,” the most dangerous criminals are not the cartel operatives lurking off-screen but the badges meant to protect and serve. This Netflix thriller, “inspired by true events” within the Miami Police Department, is a masterfully constructed pressure cooker of paranoia, a film

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Posted December 31, 2025in Film Review

‘Wake Up Dead Man’ sharpens the ‘Knives Out’ formula to an Occam’s razor’s edge

The perfect whodunit doesn’t exist. Or, does it?  Writer and director Rian Johnson challenges that age-old question with his latest film, “Wake Up Dead Man,” and gives audiences a clever, unconvoluted caper that is as intellectually satisfying as it is wildly entertaining and proves the “Knives Out” series is far

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Posted December 03, 2025in Film Review

‘The Running Man’ is a stylistically generic trot through dystopia

A director’s unique voice is the most powerful asset. It is the authorial stamp, the stylistic flair that transforms a mere story into a distinct experience. That is what makes Edgar Wright’s 2025 remake of “The Running Man” such a profound disappointment. On paper, the pairing of Wright’s hyper-kinetic style

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Posted November 05, 2025in Film Review

‘Roofman’ is a charming heist in a criminally underused setting

Derek Cianfrance’s “Roofman” is a stranger-than-fiction dramady that finds both humor and heartache in one man’s misguided pursuit of the American dream. Based on the true story of the “Roofman Robber,” the film boasts a charming performance from Channing Tatum and a premise ripe with comedic and dramatic possibility. The

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Posted October 01, 2025in Film Review

Terrifying non-horror movies to give you waking nightmares all October long

Think the horror genre has a monopoly on fear? Oh, dear reader, how wrong you are. Prepare to have your pulse racing with these non-horror horror movie masterpieces. Far from the typical terrifying fare, each film is a genre-defying tale into the heart of dread. The following eight movies demonstrate,

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Posted September 03, 2025in Film Review

‘Honey Don’t!’ is a chaotic, stylish neo-noir that refuses to play it straight

In the sun-bleached, conservative community of Bakersfield, California, a Pontiac Firebird cuts through the dust and heat. Behind the wheel is Honey O’Donahue (Margaret Qualley), a private investigator with a husky voice, a quick wit and a low tolerance for nonsense. Ethan Coen and Tricia Cooke’s “Honey Don’t!” is a

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Posted August 06, 2025in Film Review

‘Superman’ re-establishes a symbol of hope

James Gunn’s “Superman” is a fantastical reimagining of the iconic hero, delivering a film that is at once emotional, comical, campy and visually dazzling. While not without its flaws — chiefly an overstuffed plot and a few too many characters — the movie succeeds in re-establishing Superman as a symbol

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Posted July 02, 2025in Film Review

Go on a cosmic misadventure with Pixar’s ‘Elio’

Blast off for a vibrant, heartwarming adventure that proves original storytelling still has a place in today’s entertainment landscape. While it may not reach the emotional heights of Pixar’s very best like “Inside Out” or “Coco,” “Elio” delivers a thoroughly entertaining experience that will delight younger audiences with that childhood

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