Sticking the ending1/29/2014
On the eve of the Winter Olympics, Lifetime dramatizes one of the greatest stories from the 2012 summer games. Gabby Douglas (Sydney Mikayla, Imani Hakim) became the first African American to win the individual all-around gold medal in artistic gymnastics, while her mother, Natalie (Regina King), offered conspicuous emotional support from the stands. “The Gabby Douglas Story” (Saturday, 7 p.m., Lifetime) touchingly portrays their relationship through thick and thin.
Natalie was a struggling single mother trying to scrape together the funds to train her sweet little athletic prodigy. Shouting, “Mom, look!” Gabby had a habit of cartwheeling into furniture and bushes. “Why would you think my shrubs are a landing pad?” Natalie asks, getting the idea that this is no ordinary girl.
We trace Gabby’s highs and lows on the way to the Olympics, and we hear a fair amount of blather about becoming a champion. But it’s worth putting up with a few sports clichés to get to the grand finale, when Gabby compels the entire planet to “look at me.” The concluding montage of the real Douglas in action, with ” Girl on Fire” blasting on the soundtrack, is the TV thrill of the week.
Sunday, 5:25 p.m. (Fox)
In this year’s halftime show, Bruno Mars and the Red Hot Chili Peppers break a cardinal rule of show business: Never follow Beyonce. Good luck topping her hip-shaking, hair-flipping, leg-kicking, stadium-rattling extravaganza of 2013, boys.
Come to think of it, the Broncos’ Peyton Manning may take everyone’s mind off the music anyway.
Sunday, 7 p.m. (Animal Planet)
After the controversy surrounding “Duck Dynasty,” many viewers went looking for a new reality series about rustic men tussling with regional wildlife. To them I suggest “Beaver Brothers,” which trades the deep-south location of “Duck Dynasty” for way-north Nova Scotia. In a remote hamlet, Charlie Landry and his down-vest-wearing crew flush out groundhogs, skunks and porcupines from farms and legion halls. They speak with real “Fargo” accents, like dis.
A key difference exists between these folks and “Fargo” characters, though: a self-aware sense of humor. Charlie mercilessly teases his friends and family, and they give as good as they get. You spend the half-hour laughing with them — not at them — a rarity in these kinds of shows.
In other words, reality TV doesn’t get any better dan dis.
Sunday, 9 p.m. (PBS)
In the season finale of the modern-day Sherlock Holmes series… well, the only thing I feel comfortable revealing is that it will blow your mind. Cancel all other plans for Sunday night.
“The Tonight Show with Jay Leno”
Monday-Thursday, 10:35 p.m. (NBC)
Jay Leno is a peculiar TV institution: popular but not quite beloved. The best you can say is that his long stint as “Tonight Show” host has been amiable. Memorable? Innovative? No, not really.
Leno’s last week on the air, before ceding his spot to Jimmy Fallon, will not be a sensation in the manner of predescessor Johnny Carson’s farewell. But it’s certain to be… amiable. Given the nastiness of rival late-night host Kimmel, I’ll take it.
Tuesday, 8 p.m. (PBS)
“The Amish: Shunned” follows seven people who decided to leave their Amish communities for which they paid a steep price. Their parents severed contact with them, per Amish law. The victims express their anguish, while Amish true believers explain why shunning is necessary. Believe it or not, they think they’re doing it out of “love.” As viewers try to figure out what abandoning one’s children has to do with love, the soundtrack fills with melancholy piano music.
The production appears to pride itself on not making judgments. It’s sympathetic to both the Amish and the shunned — sympathetic to a fault, in the case of the former group. If you cut off your loved ones merely for asking questions, do you really deserve this much respect?
If I’d made “The Amish: Shunned,” I would have replaced the melancholy piano with a creepy monster-movie score.
“Fleming: The Man Who Would Be Bond”
Wednesday, 9 p.m. (BBC America)
Exotic women fall all over a handsome English intelligence agent (Dominic Cooper) who likes his cocktails shaken, not stirred. He fights bad guys bent on world domination while tossing off wry double entendres and looking fabulous in a tuxedo.
No, it’s not James Bond, but Ian Fleming, the writer who based his Bond novels on his own experiences. “Fleming: The Man Who Would Be Bond” dramatizes the true story of an arrogant playboy whose life is turned around by World War II. Joining naval intelligence, he finds the perfect outlet for his talents, as flirting and going to parties turn out to be useful in obtaining Nazi secrets.
The series stretches the truth here and there, but who needs truth when you can have fun instead? Fleming’s superior at the Navy puts it succinctly: “It won’t be boring — life, with you around.” CV
Dean Robbins is a syndicated TV columnist from Madison, Wis. He graduated from Grinnell College and went on to become an award-winning journalist, but he’s been a committed couch potato long before he figured out a way to get paid for watching TV. See more of his work at www.thedailypage.com.