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Center Stage

Hidden gem for seeing next gen talent

11/2/2022

DMACC production “Is He Dead?” Back row (L-R): Emily Varineau, Archer Young-Stone, Genevieve Sherman, Sophie Murphy, Asia Hinojosa. Front row (L-R): Noah Huff, Dennis McIntyre, Berklee O’Connor, Austin Klimpel. Photo credit: DMACC Resident Technical Director Krister Strandskov

November ushers in a two-month holiday season flood of performing arts opportunities for the cultural adventurer, beginning with Des Moines Performing Arts now operating at capacity with all of its stellar programming, from the Willis Broadway Series (“Come From Away”) to its Temple shows, as well as a wealth of music, comedy, children’s, dance and variety shows. The regional theatre companies also are thrumming along at a vibrant level: Des Moines Playhouse/Kate Goldman Children’s Theatre (“Harriet the Spy,” “Cinderella,” and “Hansel and Gretel”), Iowa Stage Theatre Company (“A Christmas Carol”), Tallgrass Theatre Company (“Miss Bennett: Christmas at Pemberley,” “A Very Merry Tallgrass Holiday”), Ankeny Community Theatre (“She Loves Me”), Class Act Productions Altoona (“Cinderella”) — liberally fill your calendar with many of these fine offerings.

One source for theatre is often overlooked by the general public. Our institutions of higher learning offer some excellent productions. In the Greater Des Moines footprint, this includes Simpson College, Iowa State University, Drake University — and Des Moines Area Community College (DMACC). The latter has been retooling its theatre/performing arts programming under the guidance of its new Program Chair Carl Lindberg, who has created a more focused, dedicated AA degree program for emerging performers. These schools are the training grounds for talent who will eventually not only grace local and regional theatre stages, but also ascend to heights on national success. Central Iowans have the chance to see some of these budding stars in their nascent stages, as they deliver some stellar work on their educational stages.

Focused programming provides better opportunities, training

Lindberg came to Iowa from Chicago, where he was a working actor for many years. Credits range from major Equity Regional stages, national and regional commercials booked through his Top 5 agency, plus working directly with smaller projects to fill in the project-to-project nature of being a successful working actor. He also has directed, produced, designed and stage managed nationally, from his home state of California to Pennsylvania. With such a wealth of experience, backed by a BA in Theatre from CSU Stanislaus and an MFA in Directing from Western Illinois University, DMACC landed a dedicated leader in providing its students invaluable training as they prepare for their futures as actors. Add the appeal of being closer to his wife’s Iowa roots for their daughter’s sake, and this was a wonderful match.

“We do four to five plays per year and make sure to provide a large number of roles to accommodate student interest from our Theatre Majors, our Acting Certificate students, and non-majors who simply enjoy performing,” Lindberg explains, filling in some details. “We produce our season like a storefront theatre company, looking for titles that have a broad appeal for our DMACC community and anyone in the area while balancing a range of styles for our students to be a part of, whether they’re working on the production or in the audience.”

This year’s programming includes an educational premier, “Eleanor and Dolly,” Chicago playwright Philip Dawkins’ “Failure: A Love Story,” Sartre’s classic “No Exit,” a still-being-written commissioned play, and the musical “The 25th Annual Putnam County Spelling Bee.”

Adding to essential courses like Acting I and Acting II, Technical Theatre and Play Analysis, Lindberg continued sharing the career-driven aspect of his department’s curriculum. “We also added a series of industry prep courses like Acting for the Camera, the Business of Acting, Budgeting for Artists, Performing Shakespeare, Performing Musical Theatre, Voice and Movement, and so on. These are great electives for folks working towards transferring to four-year institutions that want to be ready for their new university and also the real world of theatre and acting.”

This solid training and educational approach yields strong results, and leads to DMACC as a destination to consider when exploring Central Iowa’s performing arts offerings.

More theatrical news

The Des Moines Playhouse wrapped up a three-performance, sold-out weekend run of their inaugural Penguin Project show, “Annie Jr.” Reporting on shows already past usually would be bad form, but this production was a first, important step in a new shining facet of Playhouse programming.

“The Playhouse selected the Penguin Project as a demonstration of our mission to create extraordinary, shared experiences through live theatre,” shared Executive Director David Kilpatrick. “We want to serve the whole community, and that is reflected by giving opportunity to those who are not always seen.”

This is a three-year commitment. “It takes a couple of times of making mistakes to get it right,” continues Kilpatrick about the Penguin Project. If “Annie Jr.” was a mistake, may our community be blessed with many such inspirational mistakes. 

“Together we will learn, grow and become better artists and better people.” ♦

John Busbee is a creative project developer, critic, playwright, author, producer and media professional. He has produced his weekly show, The Culture Buzz, on KFMG since 2007.

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