Posted October 15, 2014in Center Stage
Onstage, drama comes in three dimensions. The players have heft and the set can trick you into thinking you see a house, a cornfield, a Metropolis. What happens, though, when all you have to go on is the words? When all you’ve got are voices and stage directions? For instance,
Read More →Just before one of the last rehearsals for “Carrie: The Musical,” two of the leads treated everyone to a few bars of lovely harmony. This, too, was rehearsal, of course, one more run-through of a tricky duet between Carrie and her mother. Still, it turned heads, a soaring passage shared
Read More →Few shows put the “community” in community theater more emphatically than the one in Ankeny right now. The cast of “The Little Princess” includes six adults, with day jobs like insurance adjuster, and more than twice as many local children, ranging in age from third grade to 10th. These players
Read More →The set shows the baggage they carry. Even before the start of Repertory Theater of Iowa’s flawless new production, “Who’s Afraid of Virginia Woolf?,” you feel the burdens on George and Martha, the drama’s aging spitfires. Their decorating tends to beige and brown, the pillars between rooms suggest cages, and
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Posted September 17, 2014in Center Stage
The attack comes in a song, and there’s no defense against it. Late in the first act of “South Pacfic,” Ensign Nellie Forbush shucks off her reservations about Emile de Becque. An all-American girl out of Little Rock, she kisses the middle-aged French exile — a plantation owner in Polynesia
Read More →Quick: Name the single most lucrative piece of entertainment ever. The single biggest earner — movie, CD, whatever. “Avatar?” Wrong planet. “Thriller?” Deader than disco. No. 1 is the show now at the Civic Center, “Phantom of the Opera.” “It’s such a humongous spectacle,” declared Edward Staudenmayer, one of the
Read More →Broadway loves a do-over. The Tony awards include “Best Revival,” and every season sees former hits rejiggered. “South Pacific” may have been a smash in 1949, but there’s a streamlined version coming soon to the Playhouse. At the Civic Center this weekend, theatergoers can catch what sounds like “Evita” with
Read More →What hooked me was the bit with the table. Early on in “Spring Awakening,” the in-the-round set converts to a boys’ classroom, with no more props than chairs and a table. Once the “Master” quits the room, his teen charges explode. They tear into “The Bitch of Life,” spitting out
Read More →At the end of a recent Stagewest “Scriptease,” there was a lovely moment. As the applause rose, the two leads, Mary Bricker and Rebecca Scholtec, beamed at each other and fell into an embrace. Though the applause made it difficult to hear, I could swear one of them squealed. A
Read More →“One thing we’ve learned,” declares Jo Reid, the director, “is that folks in Ankeny just love Neil Simon.” Really? Granted, “Come Blow Your Horn” is far from the first Simon piece that Reid has done. She’s been with Ankeny’s Community Theater for 30 years. Still, the match hardly seems made
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