These days anyone who thinks of the sitcom “Growing Pains” probably thinks of Robin Thicke, the young lead, now a rock star. The show’s success, however, depended more on the father, Alan, and since it ended he’s kept busy, too. He’s done movies with Adam Sandler and written bestsellers about
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Posted December 31, 2014in Center Stage
It might seem a long way from South Park — that town full of filthy-mouthed kids — to the Mormon tabernacles. Yet the same two talents, Matt Stone and Trey Parker, have made a hilarious spectacle of each. “The Book of Mormon” presents Stone and Parker’s sendup of the
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Posted December 24, 2014in Center Stage
“Bash to the Future” At the Des Moines Social Club, the New Year’s “Bash” has always included performance. A few years back I caught “Jerry Springer: the Opera,” a StageWest production, and last year the party featured the aerial ballet of the Iowa Fly Girl, Felicia Coe. What’s new, then,
Read More →If anyone has established Iowa as a center for performance, it’s Scott Seipker. In 2012, Seipker’s sardonic “Iowa Nice” videos propelled him into gigs with ESPN and IPTV. Yet he began in theater, first at Iowa State University and then in small Des Moines venues. He often worked with Brendan
Read More →It is as if the story has been around forever. The hard-hearted old miser, visited by night spirits, awakens to the joy of Christmas. It is a kind of myth that is endlessly adaptable. “A Christmas Carol” had this magic from the first, too. No sooner did Charles Dickens dream
Read More →At one of the last rehearsals of “Mary Poppins,” I saw a young woman fly. What’s more, she was singing. Onstage, technicians scrambled around, at work on location and timing. But Dani Boal, up on the wires that will carry her over the rooftops of London, delivered a lovely melody.
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Posted November 26, 2014in Center Stage
Actors, Inc., has a hit on their hands. The Ames company had to put in extra seats, and as their barn-like space echoed with laughter, it grew toasty. Onstage, meanwhile, there was another kind of community spirit. A farce like “The Game’s Afoot” demands a slick ensemble. Players need to
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Posted November 19, 2014in Center Stage
When I interviewed Clifton Owen, the man playing Motown founder Berry Gordy in the tour of “Motown the Musical,” the show was in Detroit — Motown itself. As you might expect, the cast was finding the experience a love fest. “People in Detroit are so proud of this music,” said
Read More →For the people who put together “Neighborhood 3: Requisition of Doom,” the show must feel like going home. For those who watch it, home may never feel the same. “Neighborhood 3” at StageWest brings together the same crew that mounted the show a couple of years ago for the Social
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Posted November 05, 2014in Center Stage
Every now and then, Des Moines plays host to one of the movers and shakers of performance. This September, Andrew Lloyd Webber slipped quietly into the Civic Center to catch the reboot of his “Phantom of the Opera.” This weekend, watching the Paul Taylor Dance Company, will be Paul Taylor
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