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Posted January 29, 2014in Sound Circuit

Growing Mint

As far as origin stories go, Mint — the Des Moines three-piece consisting of guitarist Bradford Johnson, drummer Christian Peters and bassist Brandon Wade — isn’t anything new. “Christian and I were playing in a church together,” Johnson explained. “We always had really good musical chemistry together, and it had

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Posted January 22, 2014in Sound Circuit

Grinding with As For You

As For You is kind of the blue collar end of Des Moines metal. Not as flashy or polished as Dead Horse Trauma (but then again, who is?), nor as bombastic as, say, Green Death. But As For You consists of five really talented guys — bassist Harpo Dunaway, drummer

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Posted January 15, 2014in Sound Circuit

Doughty’s folk transformation

Ryne Doughty was always something of an early adopter. “I’ve been singing for as long as I can remember,” he said. “I used to perform for my parents. I’d lip sync in the living room.” Like most musically inclined children, living room performances gave way to garage band practices. Eventually,

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Posted January 08, 2014in Sound Circuit

Getting real with Des Moines punk

The Real Action is garage-punk played for kicks by guys who grew up when garage-punk was new. It’s a lark. It’s also loud, fast and really fun. Assembled primarily from former members of The Chezwicks and The Strangefellows, The Real Action is an act that’s been a longtime coming. “We

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Posted January 01, 2014in Sound Circuit

The accidental life of Nate Nelson

“Everything that’s happened so far has happened by accident,” Nate Nelson said while talking about his brief time playing music. The 38-year-old Nelson is proof positive that it’s never too late, or the wrong time, to follow your passions. Blessed with boundless energy and an infectious smile, Nelson has spent

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Posted December 18, 2013in Sound Circuit

The maturation of Max

Max Wellman was a wunderkind. His first EP, “Comes Love,” dropped in his 18th year of life. The following year saw the release of a live album, and his sold-out show at Hoyt Sherman Place. Then, frankly, the brakes got pumped. Wellman still worked his butt off, performing every chance

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Posted December 04, 2013in Sound Circuit

‘Existential redemptionism’ defined

Todd Partridge has something to sell you. It’s more than just merch or an album (King of the Tramps actually has two: “Good People” and last year’s “Wicked Mountain”); it’s an ethos. From the band name, to its lyrics, to the between-song banter, Partridge and his mates want to sell

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Posted November 27, 2013in Sound Circuit

‘A sad psychedelic dance party’

Patrick Tape Fleming isn’t afraid to admit that he was once in a dark place. “This is weird to say,” he admitted, glancing around the cafe briefly before committing himself to the story. “I went to a therapist, because I was pretty bummed out. I hated my job, and I

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Posted November 20, 2013in Sound Circuit

The process of finding small town success

MaryBeth Doran is familiar with the bright lights/big city approach. After graduating from George Washington University, Doran packed up her things and moved to New York City, where she eventually helped form the band Milly Beau. The soul pop five-piece signed to Greenhouse Records, where they released two albums. But

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Posted November 13, 2013in Sound Circuit

Mumford’s: Nate Logsdon’s ‘Immediate Family’

Truth time: Few people in the state work as hard, day in and day out, at all things music as Nate Logsdon. Between his solo and various side projects, running Maximum Ames Records, getting people excited about the Maximum Ames Music Festival and booking shows at DG’s Taphouse, Logsdon is

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