Posted May 13, 2015in Center Stage
Ten minutes into a read-through of “Choices,” the latest from Des Moines playwright Karen Schaeffer, I found myself surprised by my own laughter. The way my chuckles kept erupting, I wondered when grownups got so silly? The answer lies with the woman who wrote the script. Schaeffer generated similar hilarity
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Posted May 06, 2015in Center Stage
Even in rehearsal, the chemistry starts to percolate. No sooner do Jim Benda (as Vanya) and Ann Woldt (as Sonia) settle in over their coffee during the opening of “Vanya, Sonia, Masha, & Spike,” the comic molecules start to bounce dizzily — and this when the actors aren’t yet in
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Posted April 29, 2015in Center Stage
Even as the U.S. tour of “The Lion King” is finishing its run in Cincinnati, it’ll start setting up in Des Moines. The show travels with “a dupe,” as Ken Davis puts it — a backup. As production stage manager, Davis takes pride in the jaw-dropping math of “Lion King.”
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Posted April 22, 2015in Center Stage
John Viars, in his director’s notes for “Around the World in 80 Days,” says he’s sorry his show doesn’t have a balloon. The balloon was a feature of the 1956 movie, and the Playhouse actually uses one in its ads. Still, I don’t think Viars has to apologize. His choreography
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Posted April 15, 2015in Center Stage
Screens and shadows rarely matter so much as they do in “The Diary of Anne Frank.” The show takes place in cramped quarters where the Franks and other Jews survive two years in Nazi-held Amsterdam. But Jay Jaglim, who designed the set and handles the lighting, finds unexpected nooks and
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Posted April 08, 2015in Center Stage
You can thank God you never had a mother like Mary Bricker. Her face set in a grim, seamy square like a box of drawers set with traps, Bricker continues to break down and manipulate her daughters long after they’ve grown to adulthood. “Independence” may be the latest Tallgrass “Dream
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Posted March 31, 2015in Center Stage
Hillary Clinton can wear a director out. The former Secretary of State, even in late rehearsal for the PAC-funded show at Stagewest, keeps quibbling over stage directions. “Stage left?” asked Clinton. “That depends on your definition of ‘left.’ ” With the presidential campaigns beginning to show signs of catching fire,
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Posted March 25, 2015in Center Stage
For a minute halfway into “My Name is Asher Lev,” nothing matters so much as a shadow. The dark profile of the title character, a budding artist, falls across a blank canvas, while his mentor prods him to do better — to leave his mark. What’s more, the shadow evokes
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Posted March 18, 2015in Center Stage
“I never left standup,” says Wanda Sykes. “Standup, that’s my day job; it’s what I love.” And with that, she’s off. Literally. Audiences across the nation will get a chance to see Sykes on tour doing what she does best, including a March 21 stop at Hoyt Sherman Place in
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Posted March 11, 2015in Center Stage
Drama can be all in the eyes. Rich Richards, the whole show in “Clarence Darrow,” can raise the tension with a hardening stare or lighten it with a sidelong glance. In a late rehearsal, his look even seemed to change the scenery, going from a seat in a small-town ballpark
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