Posted October 14, 2015in Center Stage
To review “Columbinus” seems almost obscene. More than a play, it’s a holocaust, revisiting the devastation at Columbine High School in 1999. The second act unfolds entirely in the words of the shooters and their victims. Since then, too, the country has witnessed the terrifying truth of one of the
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Posted October 07, 2015in Center Stage
Tim Wisgerhof liked the lamp. The prop arrived just before a late rehearsal of “Bad Jews,” and Wisgerhof, as set designer, had to approve. Just seeing the man’s smile, you knew the lamp would work; its heavy shade like a weight hanging over some actor’s head. The set, a Manhattan
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Posted September 30, 2015in Center Stage
“Improv-nesia” is the word for it, according to the members of Comedy Xperiment. The Des Moines troupe has been doing its special brand of improv for years now, and yet the players find it hard to recall individual shows. Even the bits that rocked the Stoner Theater soon drop out
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Posted September 23, 2015in Center Stage, Featured Story
John Viars, director of “Into the Woods,” gets the crowd scenes. In big numbers like “First Midnight,” he shuttles his glittery troupe in all directions. The comings and goings create a sense of urgency, which can seem lacking in Stephen Sondheim’s fairytale pastiche. Its storylines can seem scattered, never isolating
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Posted September 16, 2015in Center Stage, Featured Story
As you bask in Repertory Theater of Iowa’s luminous production of “Broadway Bound,” by Neil Simon, at times nothing on stage shines so brightly as Kerry Skram. Always a local standout, here she plays Kate Jerome, mother to Stan and Eugene. The boys hope to write funny stuff for this
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Posted September 09, 2015in Center Stage, Featured Story
You might think Alex Scolari is too young to appreciate “Dirty Dancing” and too much of a California girl to care about Iowa. The movie made a sex symbol of Patrick Swayze back in 1987, years before Scolari was born. Yet in conversation, she upends your expectations. “I’ve always been
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Posted September 02, 2015in Center Stage, Featured Story
Up in Ames, they’ve joined the new millennium. Over at the Playhouse, the audience creates a Beatles set, while Des Moines Young Artists participate in a high school shooting. Tallgrass, meantime, offers a reading of an all-new homegrown script. The Temple Theater will bring back Dixie in drag, and the
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Posted August 26, 2015in Center Stage
The best homegrown American theater might be here in the Midwest. Few companies have the impact of Chicago’s Steppenwolf, the birthplace of stars like John Malkovich. Yet when Steppenwolf first won recognition, it was local. It began with the city’s “Jeff Awards.” The Jeffs (named for a 19th century actor)
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Posted August 19, 2015in Center Stage
Among African-Americans, for decades, it was an honor to be called a “race man.” The term referred to those blacks who strove hardest for equality, from Jackie Robinson to Malcolm X. So, too, Charles Fuller, author of “A Soldier’s Play,” turned to writing when he discovered his high school library
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Posted August 12, 2015in Center Stage
The goodwill in the room practically spills out the windows. Upstairs in West Des Moines Public Library, laughter punctuates the run-through of “Masha,” the latest project for the Tallgrass Iowa Playwrights Workshop, one of two new local programs for developing fresh talent. At this rehearsal, the script has reached “version
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