Fashionista in training1/23/2013
‘The Carrie Diaries; is a delightfully bad prequel to ‘Sex and the City’
“The Carrie Diaries” (Monday, 7 p.m., CW) is a prequel to “Sex and the City,” featuring a 16-year-old Carrie Bradshaw (AnnaSophia Robb) in place of Sarah Jessica Parker’s adult version. In 1984, Carrie obsesses on “finding her voice as a writer” as she discovers makeup, boys and haute couture in her first Manhattan job. The new series trades the naughty brilliance of HBO’s classic comedy for earnest teen-drama clichés, and I was just about to leave it to the 13-year-olds when it hooked me with worse-than-usual missteps. In other words, “The Carrie Diaries” is that rarest of TV pleasures: a show that’s so bad it’s good.
Start with the wild swings from ultra-wholesome to ultra-raunchy, as if the makers couldn’t get a handle on their tone. Then there’s the preposterous evocation of hip Manhattan life, along with the equally preposterous evocation of square suburban life. Best of all, there’s Carrie’s narration. Even the simple act of getting into a cab spurs an overheated groaner: “I wondered where this golden chariot would take me!”
Don’t try to stop me — I’m boarding this golden chariot myself, for as long as “The Carrie Diaries” lasts.
‘Spartacus: War of the Damned’
Friday, 8 p.m. (Starz)
Those who enjoy TV series about half-naked Roman slaves wreaking gory vengeance on their toga-clad masters while reciting faux-Shakespearean dialogue with perfect elocution — well, you guys are kind of a weird demographic. But you clearly exist, to judge from the third season of “Spartacus.” Here you will find all the slow-motion beheadings, graphic sex, stringy hair, rearing horses and oily muscles you’ve become accustomed to.
The fascinating thing about “Spartacus” is that, for all the pulpy action, the script strains to sound high-toned. Thus, no slave would just ask, “Is she still alive?” He would ask, “She yet draws breath?” And no mother would just say that her son is “too excited to sleep.” She would say that “the battle rages in his head, vanquishing slumber.”
Whatever you think about “Spartacus: War of the Damned,” you have to admit that it does vanquish slumber.
Monday, 8 p.m. (TNT)
Larry Hagman was the only reason to watch “Dallas,” that bland 1970s-90s soap opera set in Texas oil country. He’s also been the only reason to watch the reboot, in which he reprises his role as the villainous JR Ewing. Sadly, Hagman died during filming last fall, and “Dallas” deserves to die with him. The series’ junior villain — John Ross (Josh Henderson), JR’s conniving son — has none of Hagman’s screen presence. He’s a lightweight pretty boy who just looks pathetic in the role of the heavy. In the season premiere, a femme fatale falls into John Ross’ clutches, cooing, “Ooh, you’re trouble!”
Hagman appears in the episode, and it’s worth braving the labored melodrama just to hear his insinuating line readings one more time.
Tuesday, 8 p.m. (PBS)
In school, many of us learned that Henry Ford was a great American, having pioneered the affordable car and the assembly line. But no one will sing his praises after seeing this week’s cringe-inducing “American Experience” documentary.
We learn that Ford was a tyrant who spied on his workers and had them beaten up at the mere suspicion of union organizing. He took a similarly brutal approach to his own son, driving him to an early grave. He blamed all the world’s problems on the Jews — and not just in his drawing room, but in a national crusade waged through his influential newspaper. Most surprising of all, he made colossally bad business decisions, sticking with his Model T long after the country had moved on to competitors’ more innovative cars.
The documentary leaves Ford’s reputation in tatters. And if he were alive, he’d surely blame it all on the Jews. CV