Thursday, October 2, 2014

Annual ManualInternship

Bike World
Posted July 09, 2014in Center Stage

Hair-raising outrage and wailing angels

When composer Jake Heggie first heard someone suggest an opera of “Dead Man Walking” back in 1996, he also began to hear the music. As he puts it, “the hair on the back of my neck stood up.” Heggie told this story before opening night at Des Moines Metro Opera,

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Posted July 02, 2014in Center Stage

All-time and timeless

Off in faraway places, I’m always hearing about our city’s opera. The rising star Michael Mayes, en route from one big stage to another, even got in touch via Skype to share his “deep respect” for the Des Moines program. This season, the Metro Opera’s (D.M.M.O.) 42nd, singers and musicians

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Posted June 25, 2014in Center Stage

Baseball and fireworks: Across history and in the heart

Landmarks of African-American experience turn up all through August Wilson’s drama, “Fences,” which helped it win the 1987 Pulitzer Prize. But the story of the player who broke baseball’s color line, Jackie Robinson, fits especially well. The time is the 1950s, the protagonist is a former Negro Leagues star, and

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Posted June 18, 2014in Center Stage

Random acts of inspiration

Imagine you’re a teenager with dreams of being a comedian. The local club has an open mic night, but you’ve only got five minutes to make ’em laugh. You spend all day rehearsing, preparing your routine as you bus tables, and when that moment comes to step up to the

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Posted June 11, 2014in Center Stage

Sex, drugs, Kermit and Oscar

Turns out it’s not far from Sesame Street to Broadway. “Avenue Q,” now at Stagewest, demonstrates a terrific musical can combine puppets who look like Kermit and Oscar, kiddie-show singalong energy, and a healthy dollop of raunch. In 2003 “Q” garnered three Tony awards, and it remained on Broadway for

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Posted June 04, 2014in Center Stage

Fantasy rebels and Queen rockers hit the Civic Center

Imagine the pitch. Out in Hollywood: the band Queen meets the movie “The Matrix,” and the loser ends up being Orwell’s Big Brother. If that sounds like a bit much, well, so does “Bohemian Rhapsody.” Freddie Mercury was nothing if not over the top, and his surviving bandmates Brian May

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Posted May 28, 2014in Center Stage

Sunday Funday upside-down

That’s quite a box of toys. Rings and dishes in neon plastic, batons of varying length and heft, balls of all sizes, weights and colors — the stuff is a riot of color, in fact. These goodies and more fill the bin carried by Laura Ernst, which she brings to

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Posted May 21, 2014in Center Stage

‘Boeing Boeing’ is a much-needed farce

Half an hour into a late rehearsal for “Boeing Boeing,” after the cast had run through a couple of scenes, Des Moines Playhouse Director Kathy Pingel announced it was time to tackle the entire play from the start. “Ready to rock ‘n’ roll?” she shouted. Michael Davenport, in the lead

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Posted May 14, 2014in Center Stage

‘Always… Patsy Cline’ is Winterset Main Stage debut

At his keynote address for the launch of the Des Moines Social Club, David Byrne called for “a network” of similar venues. DMSC couldn’t do it alone. The arts in Iowa need other places to grow, he said. Well, how about Madison County? Down in covered-bridge country, the Social Club

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Posted May 07, 2014in Center Stage

Nostalgic and intergalactic

“The Intergalactic Nemesis” may be sci-fi fantasy, full of technobabble, but the real fun in it is watching people at play. In particular, Christopher Lee Gibson, who is one of three actors in this “live-action graphic novel,” takes on no fewer than nine characters from the wicked hypnotist Mysterion to

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Barmuda