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By Michael
Swanger michael@dmcityview.com
The
city of New Orleans may be knee-deep
in the blues as it rebuilds after
Hurricane Katrina, but the good-time
spirits of Mardi Gras were on
tap Saturday at the Val Air Ballroom
in West Des Moines courtesy of
Dr. John's boogie-woogie, fonk
'n' roll.
Lest you think the dreary news
coming out of Louisiana and Mississippi
might put a damper on 65-year-old
Dr. John's spirits, think again.
The longtime purveyor of the New
Orleans sound, decked out in a
bright cranberry suit and black
beret, seemed to take his ambassador
role a little more seriously last
weekend when he sang and talked
about the Crescent City. But instead
of beating the audience over the
head with pleas to help those
in need along the Gulf Coast,
he let his music do the talking
with a 100-minute performance
that was as upbeat and rollicking
as it was laid back and heartfelt.
The audience of about 550 people
were polite enough to stay in
their seats for the few tunes,
including "One 2 A.M. Too
Many" and "Makin' Whoopee."
Then on "Right Place, Wrong
Time," as Dr. John's backing
trio kicked it up a notch and
the good doctor mimicked the song's
screaming background vocal parts
on his Hammond organ with his
left hand while soloing on the
piano with the right, most of
the crowd rose to its feet to
dance like they were in the middle
of a parade on Bourbon Street.
"Security, let the people
dance," Dr. John said. "You
get up and dance with them."
Of course, what people did once
they were on their feet depended
on the mood Dr. John set. One
moment he had couples slow dancing
to songs like "Such A Night"
- which featured a lengthy piano
solo that drew big applause -
and the next he had them high
stepping to tunes like Professor
Longhair's "Big Chief"
and "Goin' Back to New Orleans."
It was somewhat surprising,
though, that Dr. John didn't perform
tunes from his new album, "Sippiana
Hericane." Released a few
days before the Val Air Ballroom
concert and featuring the band
he had with him, it would have
been the perfect opportunity to
plug the new disc in which proceeds
from its sales will benefit New
Orleans Musicians Clinic, the
Jazz Foundation of America and
the Voice of the Wetlands. But
given the enthusiasm for which
he sang about New Orleans for
the entire night, and the response
from the audience, it's safe to
say the crowd got the message
while having a good time. And
that's the best kind of relief
any artist can hope to offer -
just what the doctor ordered.
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