By Jason Hancock
If
there are any doubts about how
much Micky King loves Elvis, just
look him in the eyes.
Or look at his chin.
Or at his nose.
While he is quick to point out
how much he sounds like Elvis,
and that he has “been doing Elvis
longer than Elvis did Elvis,”
he is also well aware that he
wasn’t born with “The King’s”
looks. He says his nose is too
typical, his eyes are too wide
and Mother Nature didn’t bother
to give him much of an upper lip.
This wouldn’t be an issue for
most people. But King has been
an Elvis impersonator since he
was 14 years old. And ever since
a car accident 18 years ago, Elvis,
along with a disability check,
is how he supports himself and
his 78-year-old mother.
“[My mother] can’t stand the
idea of a nursing home, and neither
can I,” King said. “I’ll take
care of her until I’m 110 if I
have to. I promised her I’d do
my best to make sure she never
loses her house, and that’s what
I’m going to do.”
That drive to take care of his
mother is why in January, after
years of talking about the idea,
King finally went ahead with a
plan he thinks could be his ticket
to stardom. With $12,000 in credit
cards in hand, King surgically
altered his face to look like
Elvis Aaron Presley.
“Most
people either look like Elvis
and sound like Humphrey Bogart
or look like Humphrey Bogart and
sound like Elvis,” he said. “I
already sound like Elvis, and
I’ve only seen two or three impersonators
out there that are better than
me. So if I look like Elvis, all
the sudden I have a leg up.”
Boyhood dreams
King was born Michael Reed in
Iowa City in 1959 (Micky King
is his stage name). His family
lived in several cities before
settling in Des Moines when he
was 9.
In 1973, a chance trip to a
downtown secondhand store changed
his life.
“I was a big John Wayne fan,”
King said. “I saw this record
with a picture of a cowboy on
it, and I figured that guy has
to know John Wayne.”
King got his mom to buy him
the record, which turned out to
be the Elvis album “Flaming Star.”
“I heard his voice and thought
it was fantastic,” he said. “So
I started singing along with it,
and one day while I was listening
to the radio with some friends,
I started singing along with an
Elvis song. They all started staring
at me. I said ‘What’s the matter?’
‘You sound just like him.’ I thought
they were full of it. So when
I went home that day and recorded
myself. I realized I didn’t sound
just like him, but I sounded a
lot like him.”
His
first gig was that year at Bill
Riley’s Iowa State Fair Talent
Search. From there, he slowly
started doing more shows, peaking
at about a dozen a year, including
nine more trips to the Iowa State
Fair. But he’d never considered
doing it full time. He was a carpenter
for a while, then a printer, and
was making a good living. But
in 1990, he was badly injured
in a car accident.
“I was sitting at a stoplight
when a guy rear-ended this Ford
Bronco sitting behind me, and
he crashed into me,” King said.
“My spine is cracked. I didn’t
believe it when they said it,
but the doctors at the Mayo Clinic
said I would never work again.”
King got a $30,000 settlement
and $20,000 in lost wages from
the accident and put all the money
into his show.
“But I went the wrong way,”
he said. “I bought equipment.
I bought a van to haul the equipment.
I bought soundtracks, costumes,
wigs and other stuff to make the
show. It never dawned on me that
the face is what I needed. I could
have gotten into mainstream entertainment
by now if I had the face back
in the ’90s. Instead, I bought
the equipment thinking if I sounded
like him, I’d get enough work.
I do get work, and I get paid
very well, but not enough to support
myself.”
The realization
King hates money.
“I’d like to buy a one-year-old
Rolls Royce, put a four-wheel-drive
chassis under it and go mud running
to show the world my contempt
for money,” he said. “We need
money to live, but it’s a real
pain.”
He also hates credit cards,
and in his entire life, he’s only
had one. It was an emergency card
in case something happened while
he was on the road. In the 10
years he’s had it, he’s used it
three times.
But around five years ago, he
began looking for money, of sorts.
“I
started looking for investors
who might want to help me finance
the plastic surgery on my face,”
he said. “I tried several different
business people around Des Moines;
I even went as far as writing
a letter to Donald Trump.”
Nothing panned out, and King
was ready to throw in the towel
when a Honda commercial inspired
him to keep going.
“The song said ‘Hold on tight
to your dreams,’” King said. “I
figured, why should I give up
on my dream?”
The dream of stardom and the
dream of actually having the means
to take care of his mother the
way he feels she deserves.
“I don’t like living down to
the penny, and I hate having to
see my mother live that way. She’s
78, she raised eight kids and
she shouldn’t have to live that
way.”
So when King registered his
business, “Micky King’s Elvis
Tribute,” and started getting
tons of credit card applications
in the mail, he decided “What
the hell?”
“The worst that can happen is
they can say no,” he said.
He was quickly approved for
the cards, and all the sudden,
he had enough credit for his surgery.
“I called Dr. Cherny that day.”
Under the knife
“It’s
somewhat unusual,” said Dr. Eugene
Cherny, a board certified plastic
surgeon and the owner of Heartland
Plastic and Reconstructive Surgery
P.C. in Urbandale. “But all the
procedures he had done were for
him to look better; they were
just modeled after a handsome
guy.”
Cherny studied photographs of
Elvis and analyzed the different
aspects of his face. While King
will never be able to look exactly
like his idol, Cherny knew he
could help. King was ecstatic.
“He does nose jobs and face
lifts and tummy tucks on a regular
basis to make his living, but
to take someone and turn them
into somebody else, that’s a project
worth doing,” King said. “I think
he was pretty excited when we
talked about it.”
King started with a face-lift
to make him look younger and to
narrow his eyes. Next came a lip
implant to give him Elvis’ trademark
snarl. A chin implant and a nose
job followed, and nearly two months
after his initial visit, King
lay bandaged, bruised and in a
great deal of pain.
“There were days when it hurt,”
he said. “It hurt a lot. It was
a rough recovery.”
And when the bandages came off…
“I
don’t really think I look all
that much like Elvis,” King said.
“But I knew it was a risk going
in.”
It will take a few months for
the swelling to go down, Cherny
said, and until then the success
of the surgery can’t really be
judged.
“But
I don’t think it’s necessarily
about looking like Elvis,” Cherny
said. “I think it’s about self
confidence. He won’t be completely
healed for a few months, but when
he’s on stage, with the lights
and the music, and he’s moving
around like Elvis, that’s when
he’ll look like the King. And
I can’t wait to see him perform.
I’ll be sitting in the front row.”
For King, it’s back to rehearsal.
He had to turn down several gigs
while he was healing, so he’s
eager to get back on stage, where
he makes around $400 an hour.
“The hope is with the surgery,
I can raise my prices and get
more work,” he said. “I want to
mail my headshots to every booking
agent in the Midwest. I would
love to start playing shows all
over the country. But I just want
to get out and perform again really
soon. I can’t spend a lot of time
worrying about it.”
Even if people think he’s crazy
for spending all that money and
going through all that pain, King
has no regrets.
“Lots of people thought I was
nuts, but it’s something I’ve
wanted to do for a long time,”
he said. “I had to give it a shot.”
CV
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