By Michael
Swanger michael@dmcityview.com
One-man
bands are great in theory when
you're an insecure, egomaniacal
artist who wishes to control every
step of producing an album from
start to end. Unfortunately, a
lot of those artists fall into
the "two turntables and a
microphone" category and
are unable to translate their
music to a live setting.
That's not the case, however,
for Boy Eats Drum Machine, one
of Portland's buzz bands. On the
record, BEDM is the voice and
multi-instrumentation of Jonny
Ragel, 32, who as one of his songs
suggests, has more to offer than
"a turntable and a Casio."
The turntablist and vocalist is
embarking on his first national
tour as BEDM, which includes his
Des Moines debut on Saturday at
GT Lounge, and he's learning that
with the help of former Stereo
Crunch bandmates - drummer Peter
Swenson and multi-instrumentalist
Benjamin Rickard - his music is
easily transposed live. And though
the Des Moines show is the last
of only 12 shows on the tour,
he's seen a marked improvement
since the group's first gig last
December.
"I thought it might be
a challenge to flesh it out live,"
Ragel says. "I wanted something
to challenge me, but I was crapping
my pants the first time out. I
don't crap my pants now, but I
do get a little nervous. Fortunately,
the audiences have been receiving
us well."
Ragel channels that nervous
energy when performing songs from
his new album, "Pleasure."
The album is a high-energy mix
of beats that borrow from James
Brown, Prince and other R&B
influences, which lay the foundation
for songs that explore social
commentary and are autobiographical
in nature, like those Ragel grew
up listening to by The Cure and
The Smiths. This is the rarest
of albums in that it has serious
subject matter that you can shake
your ass to.
"It's about continuing
into adulthood and feeling better
about myself," he says. "The
beats are what sets it apart.
They have a vibe that fits the
song and yet doesn't fit the song
in a weird way."
Ragel, who started out playing
guitar in rock bands, has been
experimenting with instruments
to find his ideal musical voice
over the years. He finally switched
to the turntable as his lead instrument
because he says it offers more
musical possibilities than any
other instrument. Influenced by
DJ Shadow, he wanted to use it
as a way to explore unique sounds
and emotions, which is why he
doesn't fancy himself a groundbreaking
or competitive turntablist.
"Everything I do is pretty
simple," he says. "If
you practice a little bit, it's
not that hard."
The practice-makes-perfect mindset
is what inspires Ragel to consider
taking BEDM back out on the road
this fall.
"Overall, we're pretty
happy with the live thing,"
he says. "The stakes are
low for us compared to a major
act, so as long as the price of
gas isn't killing us in our Astro
Van, we'd like to come back to
the Midwest."
As a one-man band, it seems
he's bucked the trend by finding
a way to share his music with
fans.
"I just hope people can
connect with the honesty and the
vibe of the material," he
says. "I'm just fortunate
to be able to play my music for
a living. It beats the hell out
of sitting at home." CV
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