| By
Chad Taylor
soundcheck@dmcityview.com
 |
| Superchief
band members plan a 2012 summer tour, promoting
their live music on weekend runs. |
I’m standing at a table in the Royal Mile,
listening to the members of Superchief wax poetic
about Wal-Mart.
“You could go to L.A., Rodeo Boulevard, put
up a Wal-Mart, and you’d suddenly have people
in wife beaters and mullets walking around,”
said vocalist Haldor von Hammer. (Spoiler alert:
It’s not his real name.) “But the Wal-Mart outside
of Austin, Texas, was beautiful. It was like
the Jerry Springer show just threw up all over
the place.”
Superchief — consisting of von Hammer, rhythm
guitarist Jason Monroe, drummer Ryan Marcum,
bassist James Segovia and lead guitarist Ricc
Terranova — were exploring the wonders of innermost
Texas, thanks to their play-date with the South
by Southwest music festival.
“The drive down to Austin was fucking amazing,”
Monroe said. “Horribly amazing. I can’t even
describe it. Like a mix of shit and greatness.
We left on Thursday, drove all night, finished
the drive on Friday, got up to play Friday night,
got up to play Saturday, left Saturday, drove
all night… it was literally 80 minutes of stage
time between 30 hours of driving, in four days.
But, it was South by Southwest, man. What are
you gonna do?”
What, indeed. Superchief lives to play in front
of a crowd, and they’ve been very, very good
at it. Generally regarded as one of the city’s
best live acts, Superchief has been written
up glowingly in Metal Hammer Magazine, played
sold-out shows with the likes of touring acts
including Red Fang and been selected to play
the previously mentioned SXSW. In short, the
band’s chops are unquestionable.
“We practice and practice and practice to play
live,” von Hammer said. “And without the live
shows, there goes a large part of my motivation.
Rubbing my sweaty body all over somebody, that’s
what it’s all about.”
Formed four years ago after Monroe and Terranova’s
previous band, The Howling Suns, disbanded,
Superchief is a staple of the local music scene
and regularly plays out of state as well, as
funds and time allow.
“We’ve all got full-time jobs,” Monroe said.
“So we don’t get to (tour) as much as we’d like,
but we’ll do weekend runs, where we do two or
three shows like that. We did (a tour) last
spring; we’re going to be doing one this summer.”
Talk with the band’s members for any length
of time, and the things that become apparent
are their love for their material and the depth
of their convictions. This is a band with some
serious opinions on the state of music in Des
Moines, and they’re not afraid to let you know
about it.
“(Battle of the Bands contests are) a cash cow
(for the bars),” Marcum said, regarding why
the band won’t play another one. “If Jane’s
Addiction came in here and pulled three people,
they’d lose out to some local band who had 200
drinking buddies out on the night to make the
bar a bunch of money.”
“Existentially, I don’t have a problem with
a battle of the bands,” adds Terranova, “(but)
to me, I feel like if a bar can pay a band $1,000
a night after a battle of the bands, they can
afford to pay more than $50 (on normal nights).”
So while you won’t see Superchief battling for
drink-ticket votes anytime soon, you will see
them around town. Or at least, they really feel
that you should.
“If you haven’t seen us live, you really owe
it to yourself to experience the reckless ineptitude
of us on stage,” Monroe said. “It’s not about
the CD; it’s all the live show.”
“But,” von Hammer adds, “our CD is good.” CV
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